Berlin, Week 6: Blending?

As the birthplace of the 1989 uprisings against the GDR, Leipzig has many physical reminders of the communist government’s decades of power. Compared to Berlin, it is a town much more dominated by structures clearly built well before World War II. Still, though, on nearly every block stands a daunting creation of GDR leaders (One example seen in the first photo, in the city center). On my walks around Leipzig, I found my questions of “why” the buildings of East Germany echoed the Stalinist designs of the Soviet Union were pushed aside as I tried to make sense of whether or not an attempt was made to blend this style with what already stood in the city.

Behind the famous St. Nicholas Church is a block of buildings nestled together, and relatively blended in with the surrounding urban landscape. It was not until our guide pointed out one of the buildings in the row that I noticed it was very different from the rest, both in age and overall design (seen in the second image). Once pointed out, the building looked clearly like one that would have been built under the GDR, yet there were elements in its design that were obviously meant to subdue its ties with modernism and help it to blend in with the designs of the past. Its design was based around three aspects almost never seen in constructivist and Stalinist architecture. It was relatively low-rise, standing 7-stories tall and just inches above its direct neighbor. The newer building was also painted very neutral, subtle colors that did not bring attention to themselves. Finally, it featured a pitched roof that matched its surroundings, rather than the typical boxed, flat roof. At this point I began to wonder why Leipzig’s urban landscape was given a level of respect not shared with Berlin.

I never really developed a theory that there was a Leipzig master construction design plan under the GDR that dictated new buildings must blend into existing ones because some of my first impressions of the city center were monstrous mid-rise block buildings that often “stole the show” from the charming pre-war buildings below (such as the one in the third image). Even modern day construction in Leipzig seems to be caught somewhere in the middle. The skeleton of the new mall being built makes it look like it will be as overbearing and unconcerned with its surroundings as the worst of the communist buildings, yet public mock ups brag that it will feature a façade that pays respect to the past, and helps the building not stand out as an example of extreme capitalism.